(It has become increasingly apparent to me
that our good friend Mr. Cousins is in dire need of a drastic head-shrinking. I
offer these recent scribblings of his as evidence: I found them in close enough
proximity to the shelf where he keeps his billfold and loose change jar to
qualify as being in plain view, and therefore public domain. –Uncle Fun.)
Things
That Occur to You Before That Second Cup of Coffee Kicks In Department:
Although
it’s earned the label of “classic”, the 1939 movie version of The Wizard of Oz is strange and puzzling
in ways that sometimes defy description. Take these lines from the song “We’re
off to See The Wizard”:
If
ever, oh ever, a whiz there was,
The
Wizard of Oz is one because,
Because,
because, because, because, because—
Because
of the wonderful things he does.
What’s
weird about this is NOT the fact that the word “because” is repeated six times.
(I said it nine times in a row when answering a question during my thesis
defense, and still got an M.A. for my trouble.) The mind-blower about this
lyric is that, as memory serves, it comes on the heels of precisely ZERO
description of the Wizard’s specific powers, or any particular instances in
which he put them to use—never
mind whether the results were wonderful or not.
This goes beyond mere jumping to conclusions: Dorothy is extrapolating the idea that
some unnamed individual at the far end of a boulevard paved with coloured
bricks has a proven track record of marvellous deeds on the strength of his job
title alone. If she’d been going to see,
for example, the Chiropractor of Oz, she wouldn’t bother checking up on his
credentials, or ask for a referral from either her G.P. or a close personal friend.
She’d just blithely skip along with Toto, singing something along the lines of:
If
ever your back becomes misaligned,
The
Chiropractor of Oz will fix your spine,
Your
spine, your spine, your spine, your spine, your spine—
Manipulating
it until you feel fine.
(This is
why there haven’t been any musicals about chiropractors…never mind the
challenges for lyricists presented by terms like “chronic femoral dysplasia”
and “lumbago”.)
Just to
make it crystal clear what the real problem here is, Dorothy’s got no reliable proof
to back her assertions up. She doesn’t even have uncorroborated anecdotal
evidence at this point. Usually musicals are sensible enough to have someone
step forward and throw in a line of dialogue citing a verifiable concrete
manifestation of someone’s abstract virtues, if said virtues are about to be
extolled in song. Not so in the Land of Oz. Does a Munchkin take Dorothy aside
and tell her that the Wizard cured him of cancer, or reassessed the equity on
his house so that he could get a second mortgage at a more competitive rate?
NO. Those sawed-off little solipsists are too damn busy jockeying for position
to see which of the Lullaby League or the Lollipop Guild can give Dorothy
(who’s about to leave anyway) the best welcome to Munchkinland. The only person
who even alludes to anything the Wizard might have done is Glinda the Good
Witch of the North, and all she does is make vague references to his abilities,
which she’s obviously never seen in action. Besides, she’s kind of an
unreliable source of information, since her judgement is pretty seriously
flawed. After all, she’s just given Dorothy a virtual death sentence by fusing a
pair of ruby slippers onto her feet so that the Wicked Witch of the West can’t
get her bony green hands on them by any means short of homicide.
To recap:
at the time she starts singing about it, Dorothy has no reason for believing
that the Wizard of Oz does ANYTHING at all, much less anything wonderful. She’s
going on blind faith, with only the encouragement of an interested party who
has the not-very-well-hidden agenda of passing the buck to anyone who can
correct a miscalculation that has made Dorothy’s untimely demise both imminent
and highly probable. What she should be singing is:
That
stupid bitch Glinda dropped the ball,
So
now I’m forced to pay a call—
A
call, a call, a call, a call, a call—
On
someone I don’t know from nothin’ at all.
There’s fifteen pages more of this,
most of it on the subject of how not casting W.C. Fields as the Wizard was the
single greatest injustice of the Twentieth Century, with a two-page digression
on how Ned Sparks would have been a better Tin Man than Jack Haley, Sr. If the
faintest shred of doubt remained in my mind concerning whether Ye Olde Cousins
had gone well and truly off the deep end, it’s somewhere over the rainbow by
now. I, for one, would be forever in the debt of anyone out there who can tell me
where to obtain a serviceable cut-rate straightjacket.
Uncle Fun